This month celebrates a milestone: 1,000 Inside editions in 25 years of publishing. Each edition has featured an original piece of local art on the cover. It’s fair to say we have circulated and promoted more art than anyone in Sacramento history. When our quarter-century press run is added up, more than 20 million impressions of art have been shared since 1996!
I am honored to serve as Inside’s cover art curator-in-chief. It’s by far the best part of my job.
At first, when we published one edition, I worried we’d never find enough art for 12 covers a year. I knew a watercolorist who painted house portraits. She had a portfolio of a dozen pieces. That got me started.
I grew up in a small Michigan town with a lovely Main Street. Local merchants owned the shops and cafes. My mom and dad were friendly with many of these small business owners. We knew their children and they knew us.
A large part of what attracted my husband and me to East Sacramento was the small-town attitude that supported local merchants. When we bought our vintage 1925 home in 1989, one of the first neighborhood shops we discovered was East Sac Hardware at 48th Street and Folsom Boulevard.
This year marks the 25th anniversary of Inside Sacramento. At a time when print publishing has been decimated, my husband Jim and I feel grateful to have survived and thrived.
Today, a new publication like Inside would be called a “micro” business. In 1996, we divided the tasks based on the experiences and success of our previous careers. My career was in interior design and project management. My strengths were writing, graphic design, sales, marketing and community involvement. Jim handled accounting, payroll, printing, delivery, invoicing and business details. He had been an executive for IBM and a small business manager.
What made Inside unique was our motivation. Neither of us had publishing experience.
In 2006, my husband Jim and I embarked on a dream-of-a-lifetime project. My career prior to publishing was interior design, and I always wanted to design and build a home from scratch. Before the age of 30, I had already bought, rehabbed and sold four houses. When we moved to McKinley Park in 1989, we remodeled a lovely circa 1925 Tudor home over the course of 16 years.
While my wish to design and build was brewing, Jim made it clear he loved our home, our street and our neighborhood. He’d worked for IBM and was transferred every few years. Now he wanted to put down roots. And as luck would have it, we both were able to find satisfaction.
Lost among the election reports was some of the best national economic news ever. The October federal employment report showed 906,000 jobs were added in the private sector, with an increase of 724,000 jobs to the labor force. Wages were up 4.5 percent. Unemployment dropped dramatically across every demographic group.
The federal government said the gross domestic product—the measure of total economic output—grew by a record-setting 7.4 percent between July and September, or 33.1 percent on an annualized basis. The economy grew at a pace never seen before. This is what economists call a V-shaped recovery.
Anyone who reaches 100 and is still active has mastered the art of aging. But to reach an advanced age and work every day, stay sharp, physically active and self-sufficient puts you in another category—what gerontologists call “super-agers.”
Sacramento artist Wayne Thiebaud is the ultimate super-ager of today’s art world. He’s famous around the world for creating colorful paintings and drawings of commonplace objects—pies, lipsticks, paint cans, ice cream cones, pastries and hot dogs—and for landscapes and figure paintings.
